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The solution I finally found may seem unexpected at a first glance
(Fig. 4). The "T" in the logo combines the ideas of "fluid" and
"fluid measurement" (medicinal liquids are sometimes dosed by counting
drops), which sits well with the primary use of the Travcyl for precise
measurements of liquids in medical industry. However, it is
especially interesting that this logo is very different from the
Encynova logo, only sharing a common color, and I'd like to show why
this is an advantage rather than a mistake.
Experience shows that logo elements can be successfully and
repeatedly reused, for example, on a Web page with that logo, much as a
musical theme written for a film can be reused over and over, in whole
and in parts, played by different instruments, as a background for
dialogs or as a sound track of its own. I found, however, that you
cannot easily borrow elements from one logo into another, just as you
cannot plagiarize from someone else's music when writing your own - not
only for fear of being sued, but because that will automatically make
your music inferior in quality. As long as you're creating logos
intended to be recognized as different, you should use quite different
means of design.
Admittedly, it is sometimes possible to create several purposefully
similar logos in parallel, by rearranging a common pool of elements that
were designed from the start to form variable combinations (continuing
our musical analogy, that would be like creating a series of pieces with
a common theme, or a series of rearrangements of an original piece).
However, a series of similar logos can only work for a series of similar
objects, e.g. a number of sibling products by a single company.
Here, we have too few objects (only two) to form a series of logos
obviously elaborating on a common theme. More importantly, these two
objects form a hierarchical rather than one-level system of relations,
one of the logos belonging to a company and the other to its product.
Finally, as you already know the Encynova logo was created first,
without any plans of its reuse or modification, and the Travcyl had to
accommodate itself to the already finalized, approved by the customer,
and generally quite self-sufficient company logo.
That's why the Travcyl logo presents the most consistent and strong
(and therefore stable) contrast to the Encynova logo. The two
logos contrast in their use of colors (one color in Travcyl instead of
two in Encynova), fonts, slight 3D effect (the spotlights on the
Travcyl's drops) and, most importantly, in the overall style and
attitude, a bit more frivolous and "cute" in Travcyl. This logo,
so to say, willingly retreats from the stylistic field occupied by
Encynova, trying to prevent any possible conflict between them. It is
enough to complement these contrasting aspects by using different sizes
and the logos would form a nice match, as on a sample device panel shown
on Fig. 5.
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nother recent project that I would like to bring to your
attention is interesting in that it involved creating two logos intended
to form a miniature corporate identity system. Encynova International, an engineering company,
wanted a corporate logo as well as a branding logo for its major
product, a precision fluid metering pump named Travcyl.
